Naked and nude terms in poetry

Updated 1 March 2024

The Bare and the Bare-Naked Graves investigates ideas of rhetoric/language, art, and perception in "The Naked and the Nude." Graves explores the distinction between being "naked" and "nude" by examining terminology, allusions, and connections. Robert Graves's clever and intricate poem "The Naked and the Nude" explores the distinction—or lack thereof—between nakedness and nudity. The author refers to the two modes of existence as being utterly distinct from one another. They are as distant from one another as lies, love, art, and the truth. The poet gives numerous illustrations to show how these two things differ, as seen through the perspective of artists, doctors, and lovers. But by the poem's conclusion, he realizes that, in truth, they aren't all that dissimilar. Poetry in the modern day is speaking up more and more. More often than not, they go into great depth when describing the human body. In fact, why? There is a significant demand in society. Numerous platforms (https://my.club/blog/how-to-take-booty-pics/) offer the solution to the daily Google inquiries about how to send a booty pic. People no longer feel self-conscious about their bodies.

Robert Graves's four-stanza poem "The Naked and the Nude" is divided into sestets, which are groups of six lines. These sestets have a straightforward AABBCC rhyme pattern, with different end sounds in each stanza. The meter is also reasonably consistent. It follows the consistent iambic tetrameter pattern. This indicates that there are four sets of two beats in each line. Both of these are under stress, but only the first is. However, line 1 of the second stanza is where the pattern diverges. The word "Lovers" has a trochee at the beginning, emphasizing the first rather than the second syllable. 'The Naked and the Nude' by Graves employs several literary devices. These include enjambment, alliteration, and allusion, among others. The first is an allusion, a phrase used to suggest a specific idea without actually stating it. For instance, the poem's final allusion to the goddess, most likely Athena, and the Gorgons in the afterlife. Alliteration develops when words that start with the same sound are used consecutively or even just near one another. For instance, the terms "draping" and "dishabille" in lines three and four of the third stanza, as well as "naked" and "nude" in line one.